Artaud e a poesia sonora : o som como meio e desconstrução da linguagem.

dc.contributor.authorDias, Luciana da Costa
dc.contributor.authorBarbosa, Tamira Mantovani Gomes
dc.date.accessioned2018-09-10T14:04:11Z
dc.date.available2018-09-10T14:04:11Z
dc.date.issued2017
dc.description.abstractThis article discusses the ideas of deconstruction of language in art proposed by Antonin Artaud in his books The Theatre and Its Double and Language and Life for the formulation of a hybrid art that distances itself from the classical theater executed in Europe of century XIX. The authors Vilém Flusser, Jacques Derrida and Gilles Deleuze are activated in order to potentiate and stimulate the discussion of how Artaud may be the forerunner of a new aesthetic paradigm to new medias.pt_BR
dc.identifier.citationDIAS, L. da C.; BARBOSA, T. M. G.. Artaud e a poesia sonora : o som como meio e desconstrução da linguagem. ODRADEK. Studies in Philosophy of Literature, Aesthetics and New Media Theories, v. 3, no 1-2, p. 159-176, 2017. Disponível em: <http://zetesis.cfs.unipi.it/Rivista/index.php/odradek/article/view/85>. Acesso em: 27 jul. 2018.pt_BR
dc.identifier.issn24651060
dc.identifier.urihttp://www.repositorio.ufop.br/handle/123456789/10136
dc.language.isopt_BRpt_BR
dc.rightsabertopt_BR
dc.rights.licenseLicense Creative Commons Odradek. Studies in Philosophy of Literature, Aesthetics and New Media Theories di Zetesis is licensed under a Creative Commons attribution, non-commercial 4.0 International. Fonte o próprio artigo.pt_BR
dc.titleArtaud e a poesia sonora : o som como meio e desconstrução da linguagem.pt_BR
dc.typeArtigo publicado em periodicopt_BR
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