Cavalcante, Alex Beigui de PaivaLopes, Thales2022-08-112022-08-112021CAVALCANTE, A. B. de P. LOPES, T. Methodologies of audio description in the reception of films for people with disability visual: case study. Revista AVANCA/CINEMA, v. 12, p. 15-25, 2021. Disponível em: <https://publication.avanca.org/index.php/avancacinema/article/view/231>. Acesso em: 24 maio 2022.2184-0520http://www.repositorio.ufop.br/jspui/handle/123456789/15145This conference proposes to investigate the methods of audiovisual description for people with visual impairments, as well as, from a case study, to deepen and problematize the exclusive sense of vision as preponderant in the reception of films. The scarce field of research on the processes and policies of inclusion in cinematographic art has gained relative relevance in recent years, above all, from the very question presented in films whose thematic of blindness is under discussion, among them: The miracle of Anne Sullivan (1962) by Arthur Penn; Dance in the dark (2000), by Lars Von Trier; Tirésias (2003) by Bertrand Bonello and Essay on blindness (2008) by Fernando Meirelles Bird Box (2018) by Susanne Bier.pt-BRabertoCinemaHybridismBlindnessAudiovisual methodsMethodologies of audio description in the reception of films for people with disability visual : case study.Metodologias da audiodescrição na recepção de filmes por pessoas com deficiência visual : um estudo de caso.Artigo publicado em periodicoEste trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0. Fonte: Avanca Cinema Journal <https://publication.avanca.org/index.php/avancacinema/article/view/231>. Acesso em: 26 maio 2022.https://doi.org/10.37390/avancacinema.2021.a231